I absolutely adore blue and wear it despite any trends or season changes, so no wonder it made it to my Christmas gift guide 2013 as one of the perfect colours.
According to Pantone, it is the classic, deep and meditative shade called Myconos Blue that we should concentrate our attention on this season mixing it with black, white or both for extra intensity and depth and later, as the spring 2014 comes, turn to cobalt-like Dazzling Blue that beautifully fades into a softer dreamy hue of morning sky (the official name for the latter is placid blue, in case you were curious).
It took me quite a bit of time and editing to put this list together and then - a good dose of willpower to stop myself from buying everything on it. I hope you love the result as much as I do. If something has your name written all over it – use one of the discount codes and sale offers I’ve included below and treat yourself.
Where to buy: 1. Cashmere blend cable knit sweater, Uniqlo (£29.90*), 2. Royal blue fedora hat, Mademoiselle Slassi (£235), 3. Ocean blue coral cuff bracelet, Ashiana (£40 + matching ring, £22**), 4. Gold-plated stone and crystal brooch, Kenneth Jay Lane (£52), 5. Sweetie ring, Jigsaw (£45), 6. Softly pleated dress, Jil Sander (£572), 7. La Pluie EDP, Miller Harris (£65), 8. Blu Mediterraneo Fico Di Amalfi, Aqua di Parma (£52), 9. Blue pure wool tartan check throw, Dreamwool blanket Co. (£49.95***), 10. Cobalt/black bar top clutch, Dorothy Perkins (£5.95****), 11. Snowflake gold-tone key fob, Anya Hindmarch (£65), 12. Turquoise candle, Thomas Fuchs Creative (£39), 13. Crystal Butterfly, Baccarat (£68*****), 14. Grown-up glamour, Caroline Cox, Amazon (£10), 15. Riviera dream earrings, Accessorize (£12), 16. Blue velvet Amelie boots, Bionda Castana (£495), 17. Sequin shoulder bag, Mango (£29.99)
* sign-up for a newsletter and receive £5 off your first order ** enter FRIENDS25 at checkout to receive 25% off full priced items *** if shopping until Friday midnight use DEC13 at checkout to receive 10% off **** check DP 30% off Pop-Up shop and get extra 10% off with DPEXTRA10 ***** Free international shipping on orders over $200/£120 with code FESTIVE and free standard duty-free shipping with code CHEER – click to shop
Hematite-plated Swarovski crystal bracelet by Elizabeth Cole – doesn’t it look like a bunch of snow flakes?!
P.S. If you are in a mood for shopping, have a look at these temping and fabulous weekend offers…
… style steals at up to 70% off at Matches plus free delivery with FREEDEL code … AMAZING (and truly unmissable) sales at Net-A-Porter … for 24 hours only - 25% off full priced items at Avenue32 with code 252432 … up to 75% off at Revolveclothing
“And then I’d sign “D.V.” “D.V.?” On, no I was never called that. Always, Mrs. Vreeland. Someone at the Museum, I think, calls me “D.V.” Rather nice. Deo volente – God willing – or Dominus vobiscum – God be with you. Pops sign that on their bulls, I believe, the way we write “best wishes” on our letters.”
Diana Vreeland
Diana, oh, Diana, I am not even going to pretend not to be in love with this incredible woman. Diana Vreeland truly and deeply got under my skin, and the beating heart pushed those love molecules straight into my brain that experienced a kind of euphoria that only occurs when the chemistry is there.
Her influence on me is a bit like a sugar-stimulated dependency in some people – they don’t really realise how much they need it until the cravings play tricks with the appetite and make overindulge… Diana Vreeland, with her infectious ability to describe the world around her like no one else, has become my indulgence and an addiction I don’t want to be cured from.
Watching The eye has to travel and reading Allure were my first steps towards discovering the legacy she left behind and needless to say, I wanted more and continued looking until one day, whilst preparing for one of my “fashion weeks”, I saw the title mentioned among others in an out of print volume I was lucky to acquire.
D.V. was my ode to joy. An autobiography full of brilliant and fascinating stories told by Diana Vreeland herself in that wonderful language of hers, full of vignettes and magic. No photographs. Small format. Definitely not one of those heavy coffee-table editions.
It ticked every box for me. It moved me to tears. It made me smile. And love Diana even more.
If you are looking for a good read, this is definitely a must-have. Trust me, you will treasure this little gem forever.
The quotes below are just so you can get a feel of what she sounds like, in case you’ve never read anything by Diana Vreeland before… And if you did, well, then simply enjoy…
On her childhood and growing-up…
“But where do you begin? The first thing to do, my love, is to arrange to be born in Paris. After that, everything follows quite naturally.”
“Actually, my dreams in the Bois. I was brought up in the world of “great beauties”, the world where lookers had something to give the world, a world where the cocottes, the women of demimonde, were the great personalities of Paris. The were in their half-world and that half-world was very important. And the Bois was where they paraded early in the morning. That was the secret of the beauty of the demimondaines. They took the morning air.”
“Naturally, I’ve always been mad about clothes. You don’t get born in Paris to forget about the clothes for a minute.”
“Don’t think you were born too late. Everyone has that illusion. But you aren’t. The only problem is if you think too late.”
“The real seriousness of my youth was that I devoted myself totally to learning.”
On Diaghilev…
“The flavour, the extravagance, the allure, the excitement, the passion, the smash, the crash… This man smashed the atom!”
On her London life…
“Of course, we had a topiary garden. Greenery, you know, is as much a part of England as a nose is a part of human face… The walls were painted a marvellous dull ochre I took from the face of Chinaman on a Coromandel street… Beyond the windows was Regent’s Park with all those wonderful flowers and trees and boxes. Ducks in the morning. Then, as we’d be going to bed… lions – roaring and having their meal. Oh, wonderful to hear a lion roar in the middle of a city!”
“The hats! They’re so beautiful. All measured and fitted. Beautiful felts – I mean, the felt was like satin. Lock’s, St James’s street. A paradise for men, just a paradise.”
On books…
“My life has been more influenced by books than any other one thing.”
On Chanel…
“Everyone thinks of suits when they think of Chanel. That came later. If you could have seen my clothes from Chanel in the thirties – the degage gypsy skirts, the divine brocades, the boleros, the roses in the hair, the paillettes nose veils – day and evening! And the ribbons were so pretty.”
“A woman dressed by Chanel back in the twenties and the thirties – like a woman dressed by Balenciaga in the fifties and sixties – walked into a room and had a dignity, an authority, a thing beyond a question of taste.”
“Chanel No. 5, to me, is still the ideal scent for a woman. She can wear it anywhere, anytime, and everybody – husbands, beaus, taxi drivers – everybody loves it. No one has gone beyond Chanel No. 5”
On fashion…
“I was always fascinated by the absurdities and the luxuries and the snobbism of the world that the fashion magazines showed. Of course, it’s not for everyone. Very few people had ever breathed the pantry air of a house of a woman who wore the kind of dress Vogue used to show when I was young. But I lived in that world… because I was always of that world – at least in my imagination.”
“What these magazines gave was a point of view. Most people haven’t got a point of view; they need to have it given to them – and what’s more, they expect it from you.”
“Of course, one always dressed in those days. You dressed in you went to Harlem, you dressed if you went to a bottle club.”
“You never learned anything in the thirties. Still, I loved the clothes I had in the thirties.”
“All the great lingères were Russian, because they were the only people who really knew luxury when luxury was in fashion.”
“Vulgarity is a very important ingredient in life. I am a great believe in vulgarity. A little bad taste is like a splash of paprika. We all need a splash of bad taste – it’s hearty, it’s healthy, it’s physical. No taste is what I’m against.”
“Unshined shoes are the end of civilization.”
P.S. And just in case you are wondering whether or not I am aware or of got the Memos – yes, I am and yes, I certainly did. But that’s another story.
“There is something special about clothes that are made by women (at the atelier) and not by machine. They do something for the clothes. There is a huge difference when I see a suit, or pants and a shirt being done by the atelier, and the same pieces done by a factory. It’s an emotion. Zara can’t copy that.”
Alber Elbaz
Photo source: Natalia Vodianova wearing Christian Dior Couture by John Galliano in Vogue US October 2008 (photography: Patrick Demarchelier; styling: Grace Coddington)
I admit, the 1967 version of Bonnie & Clyde wasn’t exactly my kind of film – it was the haircut topped with a perfectly cocked beret and the clothes Faye Dunaway wore on screen that I loved more than the story itself.
No wonder, I was so attracted to the movie-inspired Akris Pre-Fall 2014 where the clean cut, soft pleats and light weight cashmere, leather, and herringbone fabrics in the shades of cocoa, burgundy, and steel colour-matched to the old Ford colour card created a truly elegant collection.
Hats (or should I say, berets?) off to Albert Kriemler for being such a perfectionist and able to give us something so timeless, flawless, dreamy and beautiful. Something worthy falling in love with.
It’s beginning to feel like Christmas. Actually, even look like Christmas, though I do try to ignore the latter for am not ready for the sparkles, twinkles and oversized boxes of sweets yet. What I am eager to do, though, is sharing my 2013 edition of colour-coordinated gift guides.
They were very popular last year, so I decided to do it again, but instead of going for red, green, gold and silver, choose a few other shades that seemed to have more impact on me this season.
Pink was the obvious one for it was everywhere. Just everywhere. The coats. The knitwear. The make-up. We have been thinking pink, wearing pink, beautifying our faces and nails in rosy shades and practically seeing the world turning soft strawberry marshmallow hue. As a result I picked something for everyone… From books, jewellery and accessories to clothes and shoes. Even got a pair of teddy bears. Just in case.
Pink may not be the colour of Christmas as such (and the list would also work as a February edition, so do feel free to direct your boyfriend/husband to it), but it is so very pretty… I don’t think there will be many girls who would be able to resist a dose of rose or feel indifferent when admiring it.
Would you like to look into the future? See the shoes that will make you wish you were Cinderella and had a Fairy Godmother who would treat you to a pair or two?
Well, here I am with a little preview of Liam Fahy collection for the upcoming season and if this is what Spring/Summer 2014 is going to be like then it’s just beautiful! The treats include Liam Fahy iconic designs made of canvas (Charlotte, oh, Charlotte is like an Italian sun-kissed signorina who wears floaty white lace dresses and dabs neroli perfume on her exquisite wrists) as well as some new additions that take a girl from day to night, step by step, pair by pair…
Canvas, prints, nappa leather, wood, metal, raffia… Mirabel, Alys, Lyla, Elle, Sadie, Fleur, Nina, Caroline, Jolie… I will introduce you to my favourites as the time goes by. What think I know, though, is that choosing the leading lady will definitely be a challenge, with a few heartbreaks in between.
Photo source: Mirabel in red nappa leather, Lyla in canvas with wooden sole and Charlotte in navy canvas, all Spring/Summer 2014, c/o Liam Fahy London
Chloe Attitudes is a sign that some dreams do come true. I dreamed this book. I craved it. I longed for it. For several years I was secretly praying that somebody will publish a book about Chloe. A proper book. The one with stories and photographs. Something to be enjoyed and cherished forever. Something to learn from.
And then, back in October, as I was doing my regular amazon check, I saw it. On the day Chloe: Attitudes was released. I couldn’t believe my eyes and, with my hands shaking, ordered a copy. I think I stopped breathing for a moment.
Chloe, as a brand, agrees with me. The shapes, the colours, the peony and rose scent of the perfume. Even the name – I love the sound of it, the way it looks when written down… I think it’s one of the most beautiful names that ever existed.
If I could, I would buy something from Chloe every season. For now, I have to be creative and indulge my love and imagination through the written word, beautiful dreamy imagery and an occasional pair of shoes (for Chloe footwear is so comfortable!) and See by Chloe pieces.
Indeed, Chloe Attitudes is a joy for somebody like me. As soon as I read the first sentences of the foreword by Gaby Aghion, it resonated deeply and made me smile.
“I don’t show myself much. I don’t like publicity. I never had my photo taken, and I told myself, “I exist: people will find me.” I don’t explain anything. I lived the life I wanted.” Isn’t it just marvellous how every word and every sentence open up, unfold before our eyes like a beautiful rose?
And then come the wonderful stories written by Sarah Mower covering every designer who worked for Chloe including Gaby herself, Karl Lagerfeld, Martine Sitbon, Stella McCartney, Phoebe Philo, Hannah MacGibbon and Clare Waight Keller, each injecting their ideas into the brand creating beautiful designs that bring joy, a feeling of love, freedom, air, freshness, youth and life.
By Gaby’s own admission, Chloe was very avant garde from the start, moving away from ultra feminine and beautiful, but over-the-top expensive couture into more wearable and affordable clothes that still had style and personality – something you notice when browsing the array of images filling the book to the brim. While each “era” was inspired by the time those garments were made in, those dresses had an impalpable feel of timelessness about them as if each designer could, in a way, see the future and dress a woman who dares to look into it, breaking the rules of gravity and going against, as Cecil Beaton once put it, “play-it-safers”…
An amazing edition celebrating history of one-of-a-kind fashion house and people who made it happen. Absolutely delightful!
And the lady vanished. In a very English way, without good-byes, I slipped away from the blogosphere into the real world where the autumn kissed my face with sunshine and caressed the skin with the most delicate air imaginable. Those were the simple pleasures of life that make you close yours eyes and smile… It was blissful. And so perfect for the tired mind that craved sleep and peace. Thank you for bearing with my unexpected silence and lack of comments and still stopping by my blog – the blog and I really appreciate it.
Today it’s Christy Turlington again, photographed by Arthur Elgort and styled by Carlyne Cerf de Dudzeele for the All about pants story featured August 1993 issue of American Vogue. Unlike last week’s portraiture, today the focus is on menswear inspired fashion and my favourite shade of grey, particularly beautiful with an application of stripes upon its flannel surface.
The only issue I have is with the title… I really, really, don’t like the word “pants”… Trousers, shorts, culottes, jodhpurs, jeans… They have their own melody and identity. Pants just sound like a slap in ones face. Ugly. No wonder the word is often used to express frustration or anything of a poor quality. Sorry for dedicating a whole paragraph to the word, but this really is one of those I am allergic to.
Photo source: Vogue US August 1993 (photography: Arthur Elgort; styling: Carlyne Cerf de Dudzeele)
One thing I’ve leant about British kind of Christmas is that, unlike Russia, the holiday season definitely comes early here. More over it comes to stay.
I remember some people cheerfully informing me about having their Christmas parties in mid-November while others booked theirs in March. Either way sounded a bit odd, though the lesson was obvious – a girl should always, always have an outfit that would be perfect for any occasion including, of course, the above mentioned out of true Christmas schedule celebrations. At the same time, the imaginary ensemble should, ideally, be suitable for other situations, too, for very few ladies can truly afford such a frivolity as a buy-once-wear-once splurge.
This look (and yes, this week does seem to be about looks and inspirations) is what I could consider a perfect choice as it will be appropriate practically anywhere… Whether it’s a party or dinner invitation, a theatre ticket or a gallery outing, the beautiful semi-sheer white silk and burgundy velvet blouse combined with a pair of cigarette trousers and glossy patent leather strappy pumps will make any woman look elegant, sophisticated and modern.
The most brilliant thing about this set is that each piece is such a classic that it will combine with many other wardrobe statements beautifully… The trousers – with loafers or Oxfords, fishermans sweater, patterned blouse or a denim shirt, tank top, leather jacket or a boyfriend style coat… The silk blouse – tucked into jeans and all kind of skirts or trousers… And the shoes… Well, let your imagination flow… I don’t think a girl really needs to be told how to wear her shoes.
“I believe in timelessness. it’s not a trend, it’s not a moment; it’s life. And it’s a dream life, it’s a wonderful life.”
Ralph Lauren
Photo source: Bette Franke wearing Ralph Lauren (and Ferragamo skirt) in Elle France September 2013 (photography: Thomas Whiteside; styling: Jeanne Le Bault)
I can absolutely see myself wearing this outfit… I have a similar coat (two, actually) and an oversized blouse (and on a very cold wintery day – an off-white cable knit sweater), will probably get another pair of blue jeans from either Uniqlo or, if I feel rich, MiH, swap leopard print booties (don’t have any like these) for the “Lord of the Rings pair”, add a bracelet from Mango, and use my beloved good old Ledbury to carry my possessions.
Be mesmerised. Be very, very mesmerised. Christy Turlington, gorgeous as ever, photographed by Patrick Demarchelier and styled by Anna Dello Russo somwhere in Japan for the November 1990 issue of Vogue Italia.
Isn’t she perfect? Like a work of art…
Photo source: Vogue Italia November 1990 (photography: Patrick Demarchelier; styling: Anna Dello Russo)
Softness, lightness and elegance. Three words that perfectly describe Nina Ricci’s core values and one of the Maison latest creations – the Ballet bag inspired by the functional, streamlined dance bags used by ballerinas.
Feminine and modern, with its slim handles, delicate hardware and finely wrought finishings, this timeless beauty is topping my ultimate wish list. I feel that, with my affection for both Nina Ricci and ballet, we could be friends should our fate ever brought us together…
To mark the launch of this creation, the Paris-based artistic duo “I Could Never Be a Dancer” has choreographed and directed a an electrifying and sensual film about the bag consisting of a single performance during which three dancers from different schools use their art to interpret their emotions about the Ballet.
“I want to make clothes that people wear every day, and clothes that they feel they’ve worn for years.”
Marc Jacobs
(interview for Vogue US February 2000)
On Monday Louis Vuitton bosses made it official Рdespite their earlier denial, it was indeed Nicolas Ghesqui̬re who was named the brands new creative director. It was simultaneously exciting and sad to hear the news. A part of me cannot wait to see what the next Louis Vuitton collection is going to be like and how the former Balenciaga designer will be applying his famous modern couture vision to the Louis Vuitton aesthetics. On the other hand, I hate saying good byes and seeing Marc Jacobs go for I cannot separate him from the brand in my mind. I keep wondering what it was like for him to announce the exit and embark on a new journey after dedicating 16 years of his emotions, blood and sweat to the French Maison - a chunk of life that one simply cannot tear out of his chest, put in a pretty box and forget about instantly.
Today as the new history is beginning to unfold before our very eyes, I want to take a step back and remember the looks and collections that made me appreciate Louis Vuitton and its artistic director. Yes, I know, it wasn’t always a smooth ride, but when there were love and beauty, there certainly was the fashion eternity that came along. And for those eternal moments of pure joy I will adore Marc Jacobs forever.
Christy Turlington photographed by Inez van Lamsweerde and Vinoodh Matadin for Louis Vuitton Fall/Winter 2000 campaign
Gisele Bundchen wearing Louis Vuitton Spring/Summer 2000 photographed by Steven Meisel for Vogue US February 2000
Karolina Kurkova photographed by Patrick Demarchelier for Louis Vuitton Fall/Winter 2001 campaign
Karolina Kurkova wearing Louis Vuitton Spring/Summer 2001 photographed by Steven Meisel for Vogue US February 2001
Louis Vuitton Spring/Summer 2001 in Vogue UK June 2001
Louis Vuitton Spring/Summer 2002
Tasha Tilberg photographed by Mert Alas and Marcus Piggott for Louis Vuitton Spring/Summer 2002 campaign
Eva Herzigova in Luis Vuitton Fall/Winter 2002 campaign
Louis Vuitton Spring/Summer 2003
Jessica Miller wearing Louis Vuitton Spring/Summer 2003 dress photographed by Steven Meisel for Vogue Italia
Karen Elson and Maggie Rizer photographed by Craig McDean for Vogue US June 2003
Eva Herzigova wearing one of THE dresses photographed by Mert Alas & Marcus Piggott for Louis Vuitton Spring/Summer 2003 campaign featuring Takashi Murakami’s Monogram Multicolore design
Eugenia Volodina and Natalia Vodianova wearing Louis Vuitton Spring/Summer 2003 photographed by Steven Meisel for Vogue US March 2003
Liya Kebede wearing Louis Vuitton Spring/Summer 2003 photographed by Craig McDean for Vogue US January 2003
Louis Vuitton Fall/Winter 2003
Natalia Vodianova wearing Louis Vuitton Fall/Winter 2003 photographed by Steven Meisel for Vogue US July 2003
Natalia Vodianova wearing Louis Vuitton Fall/Winter 2003 dress photographed by Karen Collins for Vogue UK January 2003
Louis Vuitton Spring/Summer 2004
{how I wanted these shoes!}
Louis Vuitton Fall/Winter 2004
Daria Werbowy wearing Louis Vuitton Fall/Winter 2004 photographed by Steven Klein for Vogue US September 2004
Caroline Trentini wearing Louis Vuitton Fall/Winter 2004 photographed by Arthur Elgort for Vogue US September 2004
Louis Vuitton Spring/Summer 2005
Daria Werbowy wearing Louis Vuitton Spring/Summer 2005 photographed by Steven Klein for Vogue US March 2005
Lily Cole wearing Louis Vuitton Spring/Summer 2005 photographed by Tim Walker for Vogue UK July 2005
Louis Vuitton Fall/Winter 2005 (one of my absolute favourite)
Natalia Vodianova wearing Louis Vuitton Fall/Winter 2005 dress photographed by Mario Testino for Vogue US July 2005
Louis Vuitton Spring/Summer 2006
Kate Moss wearing Louis Vuitton Spring/Summer 2006 photographed by Nick Knight for Vogue UK March 2006
Louis Vuitton Fall/Winter 2006
Raquel Zimmerman and Du Juan photographed by Mert Alas & Marcus Piggott for Louis Vuitton Fall/Winter 2006 campaign
Natalia Vodianova wearing Louis Vuitton Fall/Winter 2006 photographed by Craig McDean for Vogue Nippon September 2006
Morgane Dubled wearing Louis Vuitton Fall/Winter 2006 photographed by John Akehurst for Vogue Nippon December 2006
Christy Turlington wearing Louis Vuitton Fall/Winter 2006 photographed by Patrick Demarchelier for Vogue US August 2006
Louis Vuitton Spring/Summer 2007
Coco Rocha wearing Louis Vuitton Spring/Summer 2007 photographed by Alex Cayley for Vogue Korea May 2007
Du Juan wearing Louis Vuitton Spring/Summer 2007 photographed by Sharif Hamza for Vogue China August 2012
Louis Vuitton Fall/Winter 2007
Julia Stegner wearing Louis Vuitton Fall/Winter 2007 photographed by Patrick Demarchelier for Vogue US July 2007
Louis Vuitton Spring/Summer 2007
Du Juan wearing Louis Vuitton Spring/Summer 2008 photographed by Sharif Hamza for Vogue China August 2012
Vogue Germany February 2008 | David Slijper
Jessica Stam and her Louis Vuitton Spring/Summer 2008 photographed by Patrick Demarchelier for Vogue US May 2008
Natalia Vodianova wearing Louis Vuitton Spring/Summer 2008 styled by Grace Coddington and photographed by Steven Meisel for Vogue US January 2008
Louis Vuitton Fall/Winter 2008
Louis Vuitton Spring/Summer 2009
Louis Vuitton Spring/Summer 2009 photographed by Jean Francois Campos for Allure Italy January 2009
Mariya Markina wearing Louis Vuitton Spring/Summer 2009 photographd by Stefano Moro for Amica Italy April 2009
Laura Blokhina wearing Louis Vuitton Spring/Summer 2009 shoes photographed by Alexei Hay for Harper’s Bazaar UK March 2009
Those necklaces were a perfect DIY project and so many were charmed by the whimsical “ears” and gorgeous make-up
And the shoes… Oh, how I wanted those Coquettes! Still do…
Louis Vuitton Fall/Winter 2009
Natasha Poly wearing Louis Vuitton Fall/Winter 2009 shoes photographed by Patrick Demarchelier for Vogue China August 2009
Sigrid Agren wearing Louis Vuitton Fall/Winter 2009 photographed by Terry Tsiolis for Vogue China August 2009
Louis Vuitton Fall/Winter 2010 (and my absolute favourite collection ever)
Karen Elson, Natalia Vodianova and Christy Turlington in Louis Vuitton Fall/Winter 2010 campaign photographed by Steven Meisel
Liu Wen wearing Louis Vuitton Fall/Winter 2010 dress photographed by Paolo Roversi for Vogue China September 2010
Catherine McNeil wearing Louis Vuitton Fall/Winter 2010 photographed by Nicole Bentley for Vogue Australia September 2010
Karlie Kloss wearing Louis Vuitton Fall/Winter 2010 photographed by Steven Meisel for Vogue US September 2010
Louis Vuitton Spring/Summer 2011
Regina Feoktistova wearing Louis Vuitton Spring/Summer 2011 photographed by Serge Leblon photographed by Harper’s Bazaar UK March 2011 & re-published in Harper’s Bazaar Russia May 2011
Louis Vuitton Fall/Winter 2011
Natalia Vodianova wearing Louis Vuitton Fall/Winter 2011 photographed by Knoepfel and Indlekofer
Anais Pouliot photographed by Steven Meisel for Louis Vuitton Fall/Winter 2011 campaign
Louis Vuitton Spring/Summer 2012
Kati Nescher & Daria Strokous photographed by Steven Meisel for Louis Vuitton Spring/Summer 2012 campaign
Alexa Chung wearing Louis Vuitton Spring/Summer 2012 photographed by Thomas Schenk for Elle UK March 2012
Maryna Linchuk, Hanne Gaby Odiele, Valerija Kelava and Hyoni Kang wearing Louis Vuitton Spring/Summer 2012 photographed by Jang Hyun Hong for W Korea March 2012 Anniversary issue
Aline Weber wearing Louis Vuitton Spring/Summer 2012 photographed by Liz Collins for Numero France April 2012
Louis Vuitton Fall/Winter 2012
Louis Vuitton Fall/Winter 2012 photographed by Stockton Johnson for Vogue China Collections Fall/Winter 2012
Heidi Mount wearing Louis Vuitton Fall/Winter 2012 coat photographed by KT Auleta for Elle US October 2012
Louis Vuitton Spring/Summer 2013
Louis Vuitton Spring/Sumemr 2013 campaign photographed by Steven Meisel
Manuela & Elena Lazic wearing Louis Vuitton Spring/Summer 2013 photographed by Sebastian Kim for Numero France April 2013
Louis Vuitton Fall/Winter 2013
Karlina Kaune wearing Louis Vuitton Fall/Winter 2013 photographed by Quentin de Briey for Vogue Spain October 2013
Louis Vuitton Spring/Summer 2014
Photo source: wwd.com, stylebistro.com, tfs, own scans
